Happy Birthday to Ashley Dupre
Remember her? Ashley Dupre, a.k.a. Ashley Alexandra Dupre, a.k.a. Ashley Youmans, a.k.a. Ashley Rae Maika DiPietro, a.k.a. Kristen, turns 24 today.\ What a ho. The high-class prostitute (not an oxymoronic term at all) who banked $4,300 an hour to performs sex acts on former N.Y. State Governor Eliot Spitzer, hasn't been heard from in some time. She's probably trying to get her life together. Or
Kristin Cavallari poses with Pup
Fans of The Hills may recall that in a previous season, Lauren Conrad got a puppy named Chloe that played a role in Audrina Patridge moving out. Waaay back in the day, Heidi Montag's ex, Jordan Eubanks, got her a dog that she quickly got tired of and vanished to some undisclosed location. PETA, get on that one. Kristin Cavallari and her adorable (albeit somewhat angry-looking) dog would fit
El Toro Country Store and Tustin home tour
Ken from Outside The Berm, read my recent El Toro/Lake Forest post and shared this 1960 slide of the El Toro Country Store..
The Tustin Area Historical Society will host Old Town Tustin's 2009 Promenade Home & Garden Tour on Sat., May 2, 9am-4pm. Visit their website for more information.
HiFi Bar, Gigs of the Week - April 30th
Before I delve into this weekend's gigs, I thought I'd share a few quick and disorganised thoughts on Brisbane's newest mid-sized venue, The HiFi. Of course it opened last night with a show featuring The Drones, Witch Hats and locals Hits. The bands were all pretty good to great, but they're not really what I want to discuss. The venue is located in what was previously the Pavilion in West End, but it's barely recognisable from that old establishment. The HiFi is split into a main room that holds 1200 audience members and a front bar known as 'Vinyl' (that particular part of the venue is yet to be completed, but apparently it holds 150 people and may be used to put on smaller shows - whether smaller local bands can use it is so far unclear). The main room is fairly large, roughly cubic but with multiple floor levels so that it's quite easy to get a decent vantage point from anywhere in the venue (that said, a friend of mine who is about 6'4" told me that from near the bar you couldn't see a thing). The room doesn't exactly have much character, it was built with sound and ease of viewing in mind and most of the decour is pretty modern - it has nothing on the similarly sized Tivoli in this respect, though is no worse than The Arena. Despite this apparent focus on sound quality one of the major complaints I've heard is the poor sound, and certainly I found this to be a problem myself last night. The first two bands sounded muddy and undefined, while things improved marginally for the headliners. It perhaps wasn't as bad as The Arena could sometimes be, especially in terms of the occasional feedback storms that plagued that venue on occasions, but that's not necessarily much of a compliment.
As for other factors, it was kind of difficult to tell what the venue will be like in the future due to the fact that things were obviously not finished (in addition to the Vinyl Bar being boarded up only one bathroom was operational in the main venue, for example). Apparently the bar staff were operating on only the most basic training from the venue and so any slowness on their part can be somewhat forgiven. Drink prices were kind of high anyway so after my first drink I never returned to the bar. There were a LOT of photographers and video cameramen in the crowd who occasionally got in the way, but I imagine this was just because it was opening night, though the venue has stated that many shows will be videoed and a feed will be shown in the Vinyl Bar so maybe the video cameramen will be a somewhat permanent fixture? I guess we'll find out soon enough.
On the plus side it has decent air-conditioning which will be a big help in summer, and frankly it's just nice to be seeing a gig somewhere other than the valley for once.
Anyway...
Thursday 30th:
Modern Love: Rocketsmiths, Hungry Kids of Hungary, Nikko, Mass Migration (final show) @ The Zoo - 4zzzFM fundraiser. Tickets are half price for subscribers.
Ball Park Music (Album Launch), Blame Ringo, Jake Rush & The Bad Habits @ The Troubadour
Drawn From Bees, The Strange Attractors - Ric's Bar
Friday 1st:
Aleks & The Ramps (Vic), Toy Balloon @ Ric's Bar
The Grates, Children Collide (Vic), DZ @ The Hifi - I think this is sold out so I'm not too sure why I'm listing it.
Hazards of Swimming Naked, Le Fricken Hecks, Soma, The Sea Shall Not Have Them @ Rosie's Downstairs
Saturday 2nd:
New Jack Rubys, Hotel Motel, Skritch, Sabrina @ The Troubadour
Twist Oliver Twist, Last Dinosaurs, Wipedoubt, Damasyria, Arado, Kybosh, Beth Lucas @ The Globe
Moon Jog @ Ric's Bar
Swaying Buildings @ Ric's Bar (4pm)
Sunday 3rd:
Secret Birds @ Ric's Bar
Live Spark: Wind & Brackets, Grand Atlantic @ The Powerhouse
Lots of bands I can't be bothered listing @ The Caxton St Seafood Festival
Also don't forget that this is the last week to see the Underexposed Exhibition at Joshua Levi Galleries. There are bands and everything.
As for other factors, it was kind of difficult to tell what the venue will be like in the future due to the fact that things were obviously not finished (in addition to the Vinyl Bar being boarded up only one bathroom was operational in the main venue, for example). Apparently the bar staff were operating on only the most basic training from the venue and so any slowness on their part can be somewhat forgiven. Drink prices were kind of high anyway so after my first drink I never returned to the bar. There were a LOT of photographers and video cameramen in the crowd who occasionally got in the way, but I imagine this was just because it was opening night, though the venue has stated that many shows will be videoed and a feed will be shown in the Vinyl Bar so maybe the video cameramen will be a somewhat permanent fixture? I guess we'll find out soon enough.
On the plus side it has decent air-conditioning which will be a big help in summer, and frankly it's just nice to be seeing a gig somewhere other than the valley for once.
Anyway...
Thursday 30th:
Modern Love: Rocketsmiths, Hungry Kids of Hungary, Nikko, Mass Migration (final show) @ The Zoo - 4zzzFM fundraiser. Tickets are half price for subscribers.
Ball Park Music (Album Launch), Blame Ringo, Jake Rush & The Bad Habits @ The Troubadour
Drawn From Bees, The Strange Attractors - Ric's Bar
Friday 1st:
Aleks & The Ramps (Vic), Toy Balloon @ Ric's Bar
The Grates, Children Collide (Vic), DZ @ The Hifi - I think this is sold out so I'm not too sure why I'm listing it.
Hazards of Swimming Naked, Le Fricken Hecks, Soma, The Sea Shall Not Have Them @ Rosie's Downstairs
Saturday 2nd:
New Jack Rubys, Hotel Motel, Skritch, Sabrina @ The Troubadour
Twist Oliver Twist, Last Dinosaurs, Wipedoubt, Damasyria, Arado, Kybosh, Beth Lucas @ The Globe
Moon Jog @ Ric's Bar
Swaying Buildings @ Ric's Bar (4pm)
Sunday 3rd:
Secret Birds @ Ric's Bar
Live Spark: Wind & Brackets, Grand Atlantic @ The Powerhouse
Lots of bands I can't be bothered listing @ The Caxton St Seafood Festival
Also don't forget that this is the last week to see the Underexposed Exhibition at Joshua Levi Galleries. There are bands and everything.
..
hlače in majica zara, jopa h&m - sprobavam fotošop programček :) danes sem si (ne)uspešno malo podaljšala lase :DD
+ Eno stopalo je odrezano, ker sem se slikala v ogledalu, da pa ni noge, sem opazila šele, ko sem šla obdelovat sliko. :S
+ Eno stopalo je odrezano, ker sem se slikala v ogledalu, da pa ni noge, sem opazila šele, ko sem šla obdelovat sliko. :S
100 - yeeeeej
Evo, moja stota objava. Na začetku sem mislila, da je ne bo, pa mi je bloganje kar malo zlezlo pod kožo :)
btw, 3 dni nazaj sem se končno naučila tudi vstaviti "visit counter". Prej sem vedno v googla napisala: people counter, pa mi nikoli ni bilo jasno, zakaj mi ne vrže ven nobene strani, kjer bi si brezplačno lahko poštimala to zadevščino. Dokler nisem par dni nazaj pri fantu spala in kar naenkrat me je presunilo (ko sem še spala..), da vedno narobe vpišem v iskalnik :DDD.
+
naštimala sem si Toboads oglase. Imate kaj izkušenj z njimi??? Se dejansko zasluži kakšen €. Sama sem si jih nastavila bolj iz firbca, kot pa iz želje po zaslužku, ker nekako sumim, da je ni :D
Zaenkrat sem v dveh dneh zaslužila 17 centov..!! :D Denar pa mi bodo nakazali šele, ko bom imela 40€. :D Tako da sumim, da bom najbolj redne bralce in klikerje na oglase lahko čez cca 5 let peljala na kavo - če ne bo takrat kava v naših preljubih lokalih dosegla še višjo nenormalno ceno :D
Torej, na plan z željami, pohvalami, kritikami, pripombami, ..
(no, malo lahko upoštevate dejstvo, da sem še dokaj nova na sceni, da ne boste prestrogi do mene :DD)
dež
Danes je tak super dan - kot narejen za učenje. Dež pada, nobenega ni zunaj, vsi so zaspani, nič se jim ne da,... Meni pa tako vreme paše. Ravno takrat, ko se okoli mene nič pametnega ne dogaja, se lahko učim. Ker ničesar ne zamudim.. :DD
Mika me samo, da bi si prebrala e-knjigo Twilight. Pa si nekako ne upam, ker po pričevanju prijateljic ne moreš nehati, ko jo enkrat začneš brati. Ste jo že prebrale?
Danes zjutraj sem tudi "prebrala" knjigo Preklestvo v zlati kletki (dramatična zgodba Urške Čepin, napisana pod peresom nane Zanelli). Ja vem ja, tako sem bila proti, a me je premamilo in sem rekla soforumašici, naj mi jo pošlje na mail. Moje mnenje: Loooooooooooooooooooooool. Preskakovala sem poglavja, samo da sem bila skozi. Na vsaki strani je drugače itak samo ene par besed- sedaj končno razumem, kako jim je uspelo knjigo raztegniti na tako veliko strani (blizu 200). Na sredi je par strani fotografij - nedolžna Urša slikana v takih in drugačnih položajih :DD
In ja, knjiga je napisana na nivoju osnovnošolskega spisa. Najbolj v dobro voljo so me pa spravile besede: kurvešta, seksulja, ... :S
simpatično sličico sem dobila tukaj
Which one looks worst? :D
Torej, povejte svoje mnenje o teh dveh outfitih. So vam všeč, vam niso, ... ?Ali se vam zdi, da je Beyonce izbrala pravi kroj za svojo postavo?
Mislite, da Lady GaGa pretirava s svojo "ekstravaganco"?
Space Age Orange and Viewliner Ltd.
Today I'm posting photos of two Space Age wonders from the Orange Public Library's history collection. The first image (top) shows the Cinedome movie theater under construction in 1969. The second image shows the Luer Meat Rocket (no jokes please), in Orange's 1956 May Festival Parade. (The Soviets had rockets in their May Day parades too, but that was kinda different.).
Charles Phoenix writes, "Luer was a meat-packing house that started in downtown Los Angeles in 1885. The 1950s era rocket ship was to them what the weenie mobile is to Oscar Meyer. It made countless appearances in local parades, super market grand openings and other civic events promoting their "quality meat" products. You could actually go inside of it... Surprisingly, fifty years later, this rocket still exists. Last I heard it’s old and weathered and sitting in a yard in Prescott, Arizona."
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One of my regular reads, the Viewliner Ltd. blog, has had some especially interesting posts lately, including historical glimpses of the Pacific Electric Railway, Knott's Berry Farm, Newport Beach, Laguna Beach, Huntington Beach, Disneyland, and more Disneyland.
Citrus trucks and Tustin Hills Citrus Association
The images above come from the April 1937 issue of Popular Mechanics. The accompanying article reads, "Constant breaking of trees and bruising of fruit by trucks hauling fruit through the groves has been ended by California citrus growers. On the recommendation of automotive engineers they now use a long slender truck which rolls through the grove without causing damage.".
Doug McInstosh, who submitted this item, writes, "If you look closely on the citrus truck door, the letter reads 'Tustin Hills Citrus Association.'"
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Also note that the truck is not a flatbed. That isn't a big trailer on the back -- It's a perfect stack of field boxes -- full of fruit.
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There's another 1930s photo of the truck (along with the rest of the fleet) on James Lancaster's "Historic Packing Houses and Other Industrial Structures in Southern California: Virtual Tour of Orange County" website.
Tustin Hills Citrus Association was a growers cooperative, organized in 1909. They had a packing house in Tustin, between Holt and Newport Ave. near Irvine Blvd. They later joined the Southern California Fruit Exchange, which eventually became Sunkist.
The aerial photo below comes from the Tustin Area Historical Society, and shows the Tustin Hills packing house around 1950.
...
Ste vedele, da ima Balmain tudi produkte za nego las. Sama sem to opazila danes v kopalnici, ko sem se česala s krtačo za lase. :)
Malo sem pogooglala in ugotovila da je vse res :D
Moja krtača je sicer namenjena podaljšanim lasem, vendar mi jo je frizerka priporočala, ker je res super za uničene konice (nekako ti jih zgladi, da izgledajo bolj "zdrave). V glavnem super je..
Ta znamka tudi sicer sploh ni draga (krtača okoli 7 funtov, pri nas seveda 12€).
Malo sem pogooglala in ugotovila da je vse res :D
Moja krtača je sicer namenjena podaljšanim lasem, vendar mi jo je frizerka priporočala, ker je res super za uničene konice (nekako ti jih zgladi, da izgledajo bolj "zdrave). V glavnem super je..
Ta znamka tudi sicer sploh ni draga (krtača okoli 7 funtov, pri nas seveda 12€).
malo pomoči prosim :)
Že nekaj časa si želim imeti kožne salonarje. So nek tak basic kos, ki res paše povsod.
Sedaj jih po naših slabo založenih trgovinah iščem že kar nekaj časa. Ste jih mogoče ve kje opazile?
Lady Drama on Chingy, Ray J and everything in between
Lady Drama speculates on Chingy’s sex life, and why Ray J picked Cocktail over Unique. Click the image to watch!
El Toro
Here are two of my favorite things, mashed together: Local history and "California School" watercolor painting. This painting hangs on the wall at the Saddleback Area Historical Society's library, which I had the pleasure of visiting yesterday. (More about that at a later date.).
A paper tacked up next to this painting reads, "Edgar Gerry Starr (1908-1971) was born in Imperial, CA on Sept. 8, 1908. He graduated from high school in Oakland and then atteneded the CCAC [California College of Arts & Crafts] and PAFA [Pennsylvania Academy of the Fine Arts]. Returning to Los Angeles, he studied with Lawrence Murphy and Millard Sheets at the Chouinard School of Art. During the 1930s he was employed at Disney Studios while exhibiting in juried shows in California and Arizona. He made many sketching trips with Sheets to Mexico. After 'discovering' Puerto Vallarta, he and his wife settled there in 1954. His Disney work includes 'Pinocchio,' 'Fantasia,' and 'Song of the South.'"
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The painting depicts the old Santa Fe depot at El Toro, which was built in 1887. Sadly, it is long gone.
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Recently, someone called me out (in a "mostly kidding" way) for referring to Lake Forest as El Toro. I do so because it was called El Toro for over 153 years (since at least 1838). It's only been Lake Forest since 1991. The only lakes or forests in the area are completely manmade.
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As my friend Jeremy Tweet points out, "There's another Lake Forest, CA. It's located at Tahoe. Where they have things like lakes and forests."
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On the other hand, perhaps we should rename Anaheim "Alpine Falls, California." After all, they have a fake Matterhorn with a fake waterfall on it. And the name Anaheim has only been in use since 1857. The new name would probably help developers sell more condos, too. (I shouldn't give them ideas!)
h&m
Počasi postajam obsedena s to trgovino :S Nekaj novih kosov, za katere upam, da jih bodo videle tudi naše trgovine (in moja omara :D ).btw. imam en nov programček, kjer lahko skupaj mečeš slike, jih urejaš,.. zaenkrat se še malo lovim.. tako da kolaži niso ne vem kako super :S
Tony JAA's next movie "Ong bak 3"...
Remember what was said by Sia Jieang in the Gala Premiere video posted on News.mcot.net, about Tony JAA's next movie "Ong bak 3"...
He says that Ong Bak 3 will be full of more daredevil fightings between Dan Chupong and Tony JAA. Moreover, in Ong Bak 3 Tien's legs and arms (Tien is Tony's character) will be torturely damaged.
Consequently, Tien has to fight with some sort of boneless action. This is homework for Panna Rittikrai and Tony JAA to create the action for us to see what it will look like to fight in the state of boneless condition.
The Set of Khmer Palace which is already seen by the press is now fortified for its further usage. It will not be considered worthwhile if it is removed. Moreover, there is now a list of Ong Bak 3 casts including the name of Dan Chupong and Nui Kessarin who will be in the same set with Tony JAA.
h&m norija
Ok, verjamem da si pač želijo en dizajnerski kos.. samo da se ljudje napol pretepajo.. da čakajo 12 ur pred trgovino, da se odpre... TO JE PA BOLNO!!
Tukaj je vsa norija v eni od h&m-ovih poslovalnicah opisana tudi časovno.. Najbolj bolno mi je to, da so celo odštevali.. loool no, ne moreš odštevati in čakati dvanajst ur pred trgovino zaradi ene majice :S Pa še kolekcija ni nič posebnega, samo znano ime se je podpisalo pod njo..
Da je v dvajsetih minutah zmanjkalo vse..
Ali pa tole:
10:20 a.m.
The sales clerk regales me with the story of a woman who emerged from a fitting room in a leather jacket asking, "Does this fit me?" A group of girls waiting in line respond on cue: "No, it looks ugly and it does not fit you!"
ahahaha.. konec solidarnosti :DDDD
10:09 a.m.
A group of women are found huddled in the store's menswear department, bartering their pile of items. "I'll trade you this belt for that bag."
si kar predstavljam :S
Ali pa da možu narišeš mapo in risbo majice, ki si jo želiš, ter ga pošlješ v roj besnih žensk..
Bi se šle boriti zraven ali se vam vse skupaj zdi ena velika bedarija?
tuji modni blogi prvič
Par mojih najljubših tujih blogov..
Alice in Wonderland - punca obvlada plastenje. Nase ponavadi "nameče" po deset kosov, vendar na koncu izpade kot čudovita celota
Karla's closet - top blog. Punca ima res dober stil in neomejeno blazerjev :D
Sea of shoes - zelo mlada bloggerka, ki se pri svojih 17ih letih pojavlja po modnih revijah v vseh državah. Da o številu njenih čevljev ne govorim..
Nitrolicious - tukaj lahko izveste vse modne novosti.
fashion toast - basic oblačila + zanimivi dodatki delajo čudeže!
Berete modne bloge? Kateri so vam najljubši?
Alice in Wonderland - punca obvlada plastenje. Nase ponavadi "nameče" po deset kosov, vendar na koncu izpade kot čudovita celota
Karla's closet - top blog. Punca ima res dober stil in neomejeno blazerjev :D
Sea of shoes - zelo mlada bloggerka, ki se pri svojih 17ih letih pojavlja po modnih revijah v vseh državah. Da o številu njenih čevljev ne govorim..
Nitrolicious - tukaj lahko izveste vse modne novosti.
fashion toast - basic oblačila + zanimivi dodatki delajo čudeže!
Berete modne bloge? Kateri so vam najljubši?
petek: gremo ven :D
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jakna, črna majica, pleten srebrn top, torba - h&mharem pants - zara trf
čevlji - bronx
real hollywood MOVIE
The close of the New Hollywood era
In retrospect, it can be seen that Jaws (1975) and Star Wars (1977) marked the beginning of the end for the New Hollywood. With their unprecedented box-office successes, Steven Spielberg's Jaws and George Lucas's Star Wars jumpstarted Hollywood's blockbuster mentality, giving studios a new paradigm as to how to make money in this changing commercial landscape. The focus on high-concept premises, with greater concentration on tie-in merchandise (such as toys), spin-offs into other media (such as soundtracks), and the use of sequels (which had been made more respectable by Coppola's The Godfather Part II), all showed the studios how to make money in the new environment.
On realizing how much money could potentially be made in films, major corporations started buying up the Hollywood studios. The corporate mentality these companies brought to the filmmaking business would slowly squeeze out the more idiosyncratic of these young filmmakers, while ensconcing the more malleable and commercially successful of them.
The New Hollywood's ultimate demise came after a string of box office failures that many critics viewed as self-indulgent and excessive. Directors had enjoyed unprecedented creative control and budgets during the New Hollywood era, but expensive flops including At Long Last Love, New York, New York, and Sorcerer caused the studios to increase their control over production.
New Hollywood excess culminated in two unmitigated financial disasters: Michael Cimino's Heaven's Gate (1980) and Francis Ford Coppola's One from the Heart (1982). After astronomical cost overruns stemming from Cimino's demands, Heaven's Gate caused severe financial damage to United Artists studios, and resulted in its sale to MGM. Coppola, having flourished after the near financial disaster of Apocalypse Now, plowed all of the enormous success of that film into American Zoetrope, effectively becoming his own studio head. As such, he bet it all on One from the Heart, which closed in less than a week, bankrupting Coppola and his fledgling studio. (Following the box-office disaster, Hollywood wags started referring to the picture as "One Through the Heart".)
These two costly examples, as well as the above-mentioned box-office failures, coupled with the new commercial paradigm of Jaws and Star Wars gave studios a clear and renewed sense of where the market was going: high-concept, mass-audience, wide-release films. Therefore, the costly and risky strategy of surrendering control to the director ended, and with that, the New Hollywood era.
The exploits of the New Hollywood generation are infamously chronicled in the book Easy Riders, Raging Bulls by Peter Biskind.
New Hollywood and independent filmmaking
It can often seem that the members of the New Hollywood generation were independent filmmakers. Indeed, some of their members have tacitly signaled that they were the precursors of the independent film movement of the 1990s.
However, this is not the case. The New Hollywood generation was firmly entrenched in the studio system, which financed the development, production and distribution of their films. None of them ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence. Seemingly "independent" films such as Taxi Driver, Midnight Cowboy, The Last Picture Show and others were all studio films: the scripts were based on studio pitches and subsequently paid for by the studios, the production financing was from the studio, and the marketing and distribution of the films were designed and controlled by the studio.
There were only two truly-independent movies of the New Hollywood generation: Easy Rider in 1969, at the beginning of the period, and Bogdanovich's They All Laughed, at the end. Peter Bogdanovich bought back the rights from the studio to his 1980 film and paid for its distribution out of his own pocket, convinced that the picture was better than what the studio believed — he eventually went bankrupt because of this.
Truly independent filmmakers such as John Cassavetes, George Romero and Melvin Van Peebles — who secured outside financing and filmed their own scripts — were never a part of the New Hollywood generation, and should not be considered as such.
List of important figures in the New Hollywood era
Many of the filmmakers listed below did multiple chores on various film productions through their careers. They are here listed by the category they are most readily recognized as.
Writers and directors
The issue of whether or not a specific director belongs to the "New Hollywood" generation is a difficult one to address. Many of those listed below made either their only films or their most successful films (Bogdanovich or Hal Ashby) in this period. Others, such as Martin Scorsese or John Boorman, have continued to make acclaimed and successful films. Aside from this, however, "membership" of the New Generation is a blurred line. Thus, the list below does not include Stanley Kubrick or Sidney Lumet - although both of these directors were of the same generation as those below, they came to prominence in the late 1950s , in the latter part of the Classical Hollywood period. Initially, thus, their early films (famously Spartacus (1960) and 12 Angry Men (1957)) did not play a part in informing the New Generation zeitgeist as, say, Nashville (1975) or Midnight Cowboy (1969) did.
On realizing how much money could potentially be made in films, major corporations started buying up the Hollywood studios. The corporate mentality these companies brought to the filmmaking business would slowly squeeze out the more idiosyncratic of these young filmmakers, while ensconcing the more malleable and commercially successful of them.
The New Hollywood's ultimate demise came after a string of box office failures that many critics viewed as self-indulgent and excessive. Directors had enjoyed unprecedented creative control and budgets during the New Hollywood era, but expensive flops including At Long Last Love, New York, New York, and Sorcerer caused the studios to increase their control over production.
New Hollywood excess culminated in two unmitigated financial disasters: Michael Cimino's Heaven's Gate (1980) and Francis Ford Coppola's One from the Heart (1982). After astronomical cost overruns stemming from Cimino's demands, Heaven's Gate caused severe financial damage to United Artists studios, and resulted in its sale to MGM. Coppola, having flourished after the near financial disaster of Apocalypse Now, plowed all of the enormous success of that film into American Zoetrope, effectively becoming his own studio head. As such, he bet it all on One from the Heart, which closed in less than a week, bankrupting Coppola and his fledgling studio. (Following the box-office disaster, Hollywood wags started referring to the picture as "One Through the Heart".)
These two costly examples, as well as the above-mentioned box-office failures, coupled with the new commercial paradigm of Jaws and Star Wars gave studios a clear and renewed sense of where the market was going: high-concept, mass-audience, wide-release films. Therefore, the costly and risky strategy of surrendering control to the director ended, and with that, the New Hollywood era.
The exploits of the New Hollywood generation are infamously chronicled in the book Easy Riders, Raging Bulls by Peter Biskind.
New Hollywood and independent filmmaking
It can often seem that the members of the New Hollywood generation were independent filmmakers. Indeed, some of their members have tacitly signaled that they were the precursors of the independent film movement of the 1990s.
However, this is not the case. The New Hollywood generation was firmly entrenched in the studio system, which financed the development, production and distribution of their films. None of them ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence. Seemingly "independent" films such as Taxi Driver, Midnight Cowboy, The Last Picture Show and others were all studio films: the scripts were based on studio pitches and subsequently paid for by the studios, the production financing was from the studio, and the marketing and distribution of the films were designed and controlled by the studio.
There were only two truly-independent movies of the New Hollywood generation: Easy Rider in 1969, at the beginning of the period, and Bogdanovich's They All Laughed, at the end. Peter Bogdanovich bought back the rights from the studio to his 1980 film and paid for its distribution out of his own pocket, convinced that the picture was better than what the studio believed — he eventually went bankrupt because of this.
Truly independent filmmakers such as John Cassavetes, George Romero and Melvin Van Peebles — who secured outside financing and filmed their own scripts — were never a part of the New Hollywood generation, and should not be considered as such.
List of important figures in the New Hollywood era
Many of the filmmakers listed below did multiple chores on various film productions through their careers. They are here listed by the category they are most readily recognized as.
Writers and directors
The issue of whether or not a specific director belongs to the "New Hollywood" generation is a difficult one to address. Many of those listed below made either their only films or their most successful films (Bogdanovich or Hal Ashby) in this period. Others, such as Martin Scorsese or John Boorman, have continued to make acclaimed and successful films. Aside from this, however, "membership" of the New Generation is a blurred line. Thus, the list below does not include Stanley Kubrick or Sidney Lumet - although both of these directors were of the same generation as those below, they came to prominence in the late 1950s , in the latter part of the Classical Hollywood period. Initially, thus, their early films (famously Spartacus (1960) and 12 Angry Men (1957)) did not play a part in informing the New Generation zeitgeist as, say, Nashville (1975) or Midnight Cowboy (1969) did.
Gears of war................................................
Gears of war
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Plot Summary for Ong-bak (2003)
Booting lives in a small and peaceful village. One day a sacred Buddha statuette called Ong Bak is stolen from the village by a immoral businessman who sells it for exorbitant profits. It soon becomes the task of a young man, Boonting (Phanom Yeeram), to track the thief down to Bangkok voluntarily and reclaim the religious treasure. Along the way, Boonting uses his astonishing athleticism and traditional Muay Thai skills to combat his adversaries.
When the head of Ong-Bak, the sacred Buddha of a poor village is stolen, the population is plunged into misery. The Buddha was the focal point of an anniversary vigil believed to bring rain to the drought-stricken area. Young Ting is selected by the villagers to travel to Bangkok and rescue the relic in time for their ceremony. Ting has an affinity with the statue as he was left on the temple steps as a baby and raised by monks, who taught him muay thai, but forbade him to use it in combat. But now he is forced to delve into a seedy underworld and try to avoid temptation...
The Joy Zone, Seal Beach
Today's images show the Joy Zone in Seal Beach in about 1917. The postcard image above 
shows the large wood rollercoaster, The Derby, which came from the 1915 Panama Pacific Exposition in San Francisco, (as did the "Scintillator Lights" which graced the end of the Seal Beach Pier). The grainy inset image shows Santa Ana's own Roscoe "Fatty" Arbuckle (left) filming a movie at the same location. The Joy Zone was built in 1916, one year after the city was incorporated. City founder Philip A. Stanton hoped to make his town the “The Coney Island of the Pacific” and the “playground of Southern California.” Indeed, at its height, as many as 20,000 visitors came to Seal Beach each week -- Many of them arriving on the Pacific Electric's Red Cars..
Amenities at the base of the wooden pier included a bathhouse, a dance hall, concession stands, and the Jewel City Cafe. The pier itself (built in 1906) was billed as the longest south of San Francisco.
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The Joy Zone sort of fell apart with the onset of the Great Depression. People stopped coming, the Derby burned down, and the whole place fell into disrepair. But by that time, Seal Beach had also developed a reputation as a haven for speakeasies, gambling and other illicit forms of entertainment -- Making the whole town into another kind of "joy zone" for years to come.
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